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Posthumous portrait
Du Fu (Chinese: 杜甫; pinyin: Dù Fǔ; Wade–Giles: Tu Fu; 712–770) was a Chinese poet and politician during the Tang dynasty. Together with his elder contemporary and friend Li Bai, Du is often considered one of the greatest Chinese poets. His greatest ambition was to serve his country as a successful civil servant, but Du proved unable to make the necessary accommodations. His life, like all of China, was devastated by the An Lushan rebellion of 755, and his last 15 years were a time of almost constant unrest.
Although initially he was little-known to other writers, his works came to be hugely influential in both Chinese and Japanese literary culture. Of his poetic writing, nearly fifteen hundred poems have been preserved over the ages. He has been called the "Poet-Historian" and the "Poet-Sage" by Chinese critics, while the range of his work has allowed him to be introduced to Western readers as "the Chinese Virgil, Horace, Ovid, Shakespeare, Milton, Burns, Wordsworth, Béranger, Hugo or Baudelaire". (Full article...)
Song dynasty river ship armed with a trebuchet catapult on its top deck, from the Wujing Zongyao
The Battle of Caishi (Chinese: 采石之戰) was a major naval engagement of the Jin–Song Wars of China that took place on November 26–27, 1161. It ended with a decisive Song victory, aided by their use of gunpowder weapons.
Peking opera, or Beijing opera (Chinese: 京劇; pinyin: Jīngjù), is the most dominant form of Chinese opera, which combines instrumental music, vocal performance, mime, martial arts, dance and acrobatics. It arose in Beijing in the mid-Qing dynasty (1644–1912) and became fully developed and recognized by the mid-19th century. The form was extremely popular in the Qing court and has come to be regarded as one of the cultural treasures of China. Major performance troupes are based in Beijing, Tianjin and Shanghai. The art form is also preserved in Taiwan, where it is also known as Guójù (Chinese: 國劇; lit. 'National opera'). It has also spread to other regions such as the United States and Japan.
Peking opera features four main role types, sheng (gentlemen), dan (women), jing (rough men), and chou (clowns). Performing troupes often have several of each variety, as well as numerous secondary and tertiary performers. With their elaborate and colorful costumes, performers are the only focal points on Peking opera characteristically sparse stage. They use the skills of speech, song, dance and combat in movements that are symbolic and suggestive, rather than realistic. Above all else, the skill of performers is evaluated according to the beauty of their movements. Performers also adhere to a variety of stylistic conventions that help audiences navigate the plot of the production. The layers of meaning within each movement must be expressed in time with music. The music of Peking opera can be divided into the xīpí (西皮) and èrhuáng (二黄) styles. Melodies include arias, fixed-tune melodies and percussion patterns. The repertoire of Peking opera includes over 1,400 works, which are based on Chinese history, folklore and, increasingly, contemporary life. (Full article...)
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A Yuan-era stele in the ruins of the Cross Temple. Another stele (left) and some scattered groundwork (right) are visible in the background.
The Cross Temple (Chinese: 十字寺; pinyin: Shízì sì) is a former place of worship in Fangshan, Beijing. The temple was used during different periods by Buddhists and early Chinese Christians. Though it was originally built as a Buddhist temple, some scholars hypothesise that it saw Christian use during the Tang dynasty (618–907). The temple was used by Buddhists during the Liao dynasty (916–1125) and by Christians during the Yuan dynasty (1271–1368). It returned to Buddhist use during the Ming dynasty (1368–1644), before being sold in 1911. It was first recorded in modern scholarship in 1919, damaged during the Cultural Revolution, and re-established as a national-level protected site in 2006. Some scholars consider it to be the only place of worship of the Church of the East (also known as Nestorian Christianity) discovered in China.
Today, the site features two ancient steles, as well as groundwork and the bases of several pillars. The steles date to the Liao and Yuan dynasties, but their inscriptions were tampered with during the Ming. During the early 20th century, two stone blocks carved with crosses and other patterns were also discovered at the site, with one of them also bearing an inscription in Syriac. The blocks are presently on display at the Nanjing Museum. (Full article...)
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Comparison between Gwoyeu Romatzyh (top) and pinyin (bottom) for Gwoyeu Romatzyh's official name 國音字母第二式 ('Second Pattern of the National Alphabet'; middle)
Despite support from linguists both in China and overseas—including some early proponents who hoped it would eventually replace Chinese characters altogether—GR never achieved widespread use among the Chinese public, who generally lacked interest in the system or viewed it with hostility due to its complex spelling rules. In places where GR had gained traction, it was eventually replaced—largely by Hanyu Pinyin (or simply "pinyin"), which became the international standard during the 1980s, and itself follows principles originally introduced by GR. Widespread adoption of the system was also hindered by its narrow calibration to the Beijing dialect, during a period when China lacked the strong central government needed to impose use of a national spoken language. (Full article...)
Brady was born an American citizen in Tientsin, China, and traveled frequently as a child, spending time in Los Angeles, California, British Columbia, and Austin, Texas. She studied in the University of California system, receiving her bachelor's and master's degrees, and her Ph.D. in 1935. She next became an English instructor at that university's College of Agriculture, and worked as an assistant professor of languages and literature at Berkeley from 1941 to 1946. The following three years were spent at the University of Pennsylvania, until, at the end of 1949, Brady moved to teach at Central Oregon Community College; her resignation due to "ill health" was announced a few months later. After being named the 1952–53 Marion Talbot Fellow of the American Association of University Women and writing two articles, Brady's scholarship ceased for a quarter of a century. In 1979, and posthumously in 1983, her final two articles were published. (Full article...)
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United States v. Wong Kim Ark, 169 U.S. 649 (1898), was a landmark decision of the U.S. Supreme Court which held that "a child born in the United States, of parents of Chinese descent, who, at the time of his birth, are subjects of the Emperor of China, but have a permanent domicile and residence in the United States, and are there carrying on business, and are not employed in any diplomatic or official capacity under the Emperor of China", automatically became a U.S. citizen at birth. This decision established an important precedent in its interpretation of the Citizenship Clause of the Fourteenth Amendment to the Constitution.
Wong Kim Ark, who was born in San Francisco in 1873, had been denied re-entry to the United States after a trip abroad, under the Chinese Exclusion Act, a law banning virtually all Chinese immigration and prohibiting Chinese immigrants from becoming naturalized U.S. citizens. He challenged the government's refusal to recognize his citizenship, and the Supreme Court ruled in his favor, holding that the citizenship language in the Fourteenth Amendment encompassed the circumstances of his birth and could not be limited in its effect by an act of Congress. (Full article...)
Both in its lyrics and instruments, the song mixes traditional Chinese styles with modern rock elements. In the lyrics, the speaker addresses a girl who is scorning him because he has nothing. However, the song has also been interpreted as being about the dispossessed youth of the time, because it evokes a sense of disillusionment and lack of individual freedom that was common among the young generation during the 1980s. (Full article...)
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Publicity photo of Anna May Wong from Stars of the Photoplay, 1930
Wong Liu Tsong (January 3, 1905 - February 3, 1961), known professionally as Anna May Wong, was an American actress, considered the first Chinese American film star in Hollywood, as well as the first Chinese American actress to gain international recognition. Her varied career spanned silent film, sound film, television, stage, and radio.
Born in Los Angeles to second-generation Taishanese Chinese American parents, Wong became engrossed in films and decided at the age of 11 that she would become an actress. Her first role was as an extra in the movie The Red Lantern (1919). During the silent film era, she acted in The Toll of the Sea (1922), one of the first films made in color, and in Douglas Fairbanks' The Thief of Bagdad (1924). Wong became a fashion icon and had achieved international stardom in 1924. Wong had been one of the first to embrace the flapper look. In 1934, the Mayfair Mannequin Society of New York voted her the "world's best dressed woman." In the 1920s and 1930s, Wong was acclaimed as one of the top fashion icons. (Full article...)
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A cannon is a large-calibergun classified as a type of artillery, which usually launches a projectile using explosive chemical propellant. Gunpowder ("black powder") was the primary propellant before the invention of smokeless powder during the late 19th century. Cannons vary in gauge, effective range, mobility, rate of fire, angle of fire and firepower; different forms of cannon combine and balance these attributes in varying degrees, depending on their intended use on the battlefield. A cannon is a type of heavy artillery weapon.
The word cannon is derived from several languages, in which the original definition can usually be translated as tube, cane, or reed. In the modern era, the term cannon has fallen into decline, replaced by guns or artillery, if not a more specific term such as howitzer or mortar, except for high-caliber automatic weapons firing bigger rounds than machine guns, called autocannons. (Full article...)
The modern Chinese varieties make frequent use of what are called classifiers or measure words. One use of classifiers is when a noun is qualified by a numeral or demonstrative. In the Chinese equivalent of a phrase such as "three books" or "that person", it is normally necessary to insert an appropriate classifier between the numeral/demonstrative and the noun. For example, in Standard Chinese, the first of these phrases would be: (Full article...)
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With the pale yellow rump visible. Buryatia, Russia.
Pallas's leaf warbler is one of the smallest Palearcticwarblers, with a relatively large head and short tail. It has greenish upperparts and white underparts, a lemon-yellow rump, and yellow double wingbars, supercilia and central crown stripe. It is similar in appearance to several other Asian warblers, including some that were formerly considered to be subspecies of it, although its distinctive vocalisations aid identification. (Full article...)
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Jin dynasty (blue) and Song dynasty (orange) in 1141
The Jin–Song Wars were a series of conflicts between the Jurchen-led Jin dynasty (1115–1234) and the Han-led Song dynasty (960–1279). In 1115, Jurchen tribes rebelled against their overlords, the Khitan-led Liao dynasty (916–1125), and declared the formation of the Jin. Allying with the Song against their common enemy the Liao dynasty, the Jin promised to cede to the Song the Sixteen Prefectures that had fallen under Liao control since 938. The Song agreed but the Jin's quick defeat of the Liao combined with Song military failures made the Jin reluctant to cede territory. After a series of negotiations that embittered both sides, the Jurchens attacked the Song in 1125, dispatching one army to Taiyuan and the other to Bianjing (modern Kaifeng), the Song capital.
Surprised by news of an invasion, Song general Tong Guan retreated from Taiyuan, which was besieged and later captured. As the second Jin army approached the capital, Song emperor Huizong abdicated and fled south. Qinzong, his eldest son, was enthroned. The Jin dynasty laid siege to Kaifeng in 1126, but Qinzong negotiated their retreat from the capital by agreeing to a large annual indemnity. Qinzong reneged on the deal and ordered Song forces to defend the prefectures instead of fortifying the capital. The Jin resumed war and again besieged Kaifeng in 1127. They captured Qinzong, many members of the imperial family and high officials of the Song imperial court in an event known as the Jingkang Incident. This separated north and south China between Jin and Song. Remnants of the Song imperial family retreated to southern China and, after brief stays in several temporary capitals, eventually relocated to Lin'an (modern Hangzhou). The retreat divided the dynasty into two distinct periods, Northern Song and Southern Song. (Full article...)
After the Chinese Communist Revolution, the Party sought to memorialize their achievements through artworks. Dong was commissioned to create a visual representation of the October 1 ceremony, which he had attended. He viewed it as essential that the painting show both the people and their leaders. After working for three months, he completed an oil painting in a folk art style, drawing upon Chinese art history for the contemporary subject. The success of the painting was assured when Mao viewed it and liked it, and it was reproduced in large numbers for display in the home. (Full article...)
... that Baer's pochard, found in eastern Asia, has seen a population decline of more than 99 percent in past decades, and is no longer migratory in central and eastern China?
Henan or Yu cuisine is an umbrella term used to define the native cooking styles of the Henan province in China. Henan (河南, or Honan) is a province located in Central China and is often also referred to by the names Zhongzhou or Zhongyuan, which means ‘midland’. Being landlocked on all sides, the influence of localized culinary styles are plentiful to be observed in Henan cuisine. It incorporates a blend of culinary styles from Jiangsu and Beijing, which gives it a unique mix of taste. Henan cuisine is well known for its taste variety including a blend of sour, sweet, bitter, spicy and salty. There are a wide variety of Henan dishes, including carp with fried noodles in sweet and sour sauce, grilled head and tail of black carp, Bianjing roasted duck, stewed noodles with mutton, and spicy soup. Despite its mix of flavours within its culinary forms, Henan cuisine is not known to take them to the extreme. Rather, Henan cuisine is known for inducing a very moderate and balanced mix of flavours in its dishes. Henan has a long cultural history, which not only left precious cultural relics and historical sites but also Henan cuisine. Henan cuisine, has the honor of being one of China's oldest and most traditional cooking styles. There are more than 50 kinds of cooking methods in preparing Henan cuisine. The history of the province shows its relation to the affinity towards food culture among the people of Henan, where the motive to bring together the different tastes from the north and the south to blend it into one dish. (Full article...)
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Xu in 1940
Xu Lai (Chinese: 徐来; Wade–Giles: Hsü Lai; 1909 – 4 April 1973) was a Chinese film actress, socialite, and World War II secret agent. Known as the "Standard Beauty", she was active in the film industry for only three years, and quit acting after the suicide of the great star Ruan Lingyu in 1935. Her first husband was Li Jinhui, the "Father of Chinese pop music".
The manifesto was devised after Protestant leaders presented their concerns with religious freedom to Zhou Enlai, the Premier of China. Instead of receiving their report, Zhou demanded them to come up with a statement in support of the new communist leadership. Y. T. Wu and other leftist clergymen espoused the task and presented a draft manifesto that, after some opposition and changes, became a foundational text of Christianity in the new People's Republic. It condemns missionary activities in China as a form of imperialism, pledges loyalty to the communist leadership, and encourages the Church to take up an indigenous Chinese stance toward Christianity. (Full article...)
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The entrance of Causeway Bay Books. It has been closed since the disappearance of its fifth staff member, Lee Bo.
The Causeway Bay Books disappearances are a series of international disappearances concerning five staff members of Causeway Bay Books, a former bookstore located in Causeway Bay, Hong Kong. Between October and December 2015, five staff of Causeway Bay Books went missing. At least two of them disappeared in mainland China, one in Thailand. One member was last seen in Hong Kong, and eventually revealed to be in Shenzhen, across the Chinese border, without the travel documents necessary to have crossed the border through legal channels.
It was widely believed that the booksellers were detained in mainland China, and in February 2016 Guangdong provincial authorities confirmed that all five had been taken into custody in relation to an old traffic case involving Gui Minhai. While response to the October disappearances had been muted, perhaps in recognition that unexplained disappearances and lengthy extrajudicial detentions are known to occur in mainland China, the unprecedented disappearance of a person in Hong Kong, and the bizarre events surrounding it, shocked the city and crystallised international concern over the possible abduction of Hong Kong citizens by Chinese public security bureau officials and their likely rendition, and the violation of several articles of the Basic Law. In his report to the British government and parliament in early January 2016, foreign secretary Philip Hammond said the incident was "a serious breach of the Sino-British Joint Declaration on Hong Kong and undermines the principle of one country, two systems". (Full article...)
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The 610 Office was a security agency in the People's Republic of China. Named for the date of its creation on June 10, 1999, it was established for the purpose of coordinating and implementing the persecution of Falun Gong. The 610 Office was the implementation arm of the Central Leading Group on Dealing with the Falun Gong (CLGDF), also known as the Central Leading Group on Dealing with Heretical Religions, a leading small group of the Chinese Communist Party (CCP). Because it was a CCP-led office with no formal legal mandate, it is sometimes described as an extralegal organisation.
The central 610 Office has traditionally been headed by a high-ranking member of the CCP Politburo Standing Committee, and frequently directed other state and party organs in the anti-Falun Gong campaign. It was closely associated with the powerful Central Political and Legal Affairs Commission of the CCP. Local 610 Offices were also established at provincial, district, municipal and neighborhood levels, and were estimated to number approximately 1,000 across the country. (Full article...)
The Shaoguan incident (Chinese: 韶关事件) was a civil disturbance which took place overnight on 25–26 June 2009 in Guangdong, China. A violent dispute erupted between migrant Uyghurs and Han Chinese workers at a toy factory in Shaoguan as a result of false allegations of the sexual assault of a Han Chinese woman. Groups of Han Chinese set upon Uyghur co-workers, leading to at least two Uyghurs being violently killed by angry Han Chinese men (although other reports indicate a higher death toll), and some 118 people injured, most of them Uyghurs.
The event was widely cited as the cause of the July 2009 Ürümqi riots, which some believe began as a peaceful street protest demanding official action over the two Uyghurs who were killed in Shaoguan. Following trials in October 2009, one person was executed and several others sentenced to terms between life imprisonment and five to seven years. (Full article...)
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Illustration from Xiangzhu liaozhai zhiyi tuyong (Liaozhai Zhiyi with commentary and illustrations; 1886)
A column of the US 1st Marine Division moves through Chinese lines during its breakout from the Chosin Reservoir with a M46 Patton medium tank.
The Battle of Chosin Reservoir, also known as the Chosin Reservoir Campaign or the Battle of Lake Changjin (Korean: 장진호 전투; Hanja: 長津湖戰鬪; RR: Jangjinho jeontu; MR: Changjinho chŏnt'u), was an important battle in the Korean War. The name "Chosin" is derived from the Japanese pronunciation "Chōshin", instead of the Korean pronunciation.
The battle took place about a month after the People's Republic of China entered the conflict and sent the People's Volunteer Army (PVA) 9th Corps to infiltrate the northeastern part of North Korea. On 27 November 1950, the Chinese force surprised the US X Corps commanded by Major General Edward Almond in the Chosin Reservoir area. A brutal 17-day battle in freezing weather soon followed. Between 27 November and 13 December, 30,000 United Nations Command troops, later nicknamed "The Chosin Few", under the field command of Major General Oliver P. Smith were encircled and attacked by about 120,000 Chinese troops under the command of Song Shilun, who had been ordered by Mao Zedong to destroy the UN forces. (Full article...)
The Forbidden City was constructed from 1406 to 1420, and was the imperial palace and winter residence of the Emperor of China from the Ming dynasty (since the Yongle Emperor) to the end of the Qing dynasty, between 1420 and 1924. The Forbidden City served as the home of Chinese emperors and their households and was the ceremonial and political center of the Chinese government for over 500 years. Since 1925, the Forbidden City has been under the charge of the Palace Museum, whose extensive collection of artwork and artifacts was built upon the imperial collections of the Ming and Qing dynasties. The Forbidden City was declared a World Heritage Site in 1987. (Full article...)
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The Blue Lotus (French: Le Lotus bleu) is the fifth volume of The Adventures of Tintin, the comics series by Belgian cartoonist Hergé. Commissioned by the conservative Belgian newspaper Le Vingtième Siècle for its children's supplement Le Petit Vingtième, it was serialised weekly from August 1934 to October 1935 before being published in a collected volume by Casterman in 1936. Continuing where the plot of the previous story, Cigars of the Pharaoh, left off, the story tells of young Belgian reporter Tintin and his dog Snowy, who are invited to China in the middle of the 1931 Japanese invasion, where Tintin reveals the machinations of Japanese spies and uncovers a drug-smuggling ring.
In creating The Blue Lotus, Hergé exhibited a newfound emphasis on accuracy and documentation in his portrayal of foreign societies. He was heavily influenced by his close friend Zhang Chongren, a Chinese student studying in Belgium, and the work both satirises common European misconceptions about China as well as criticising the actions of the Japanese invaders. The Blue Lotus was a commercial success in Belgium and was soon serialised in France and Switzerland, while news of the book led to the Chinese political leader Chiang Kai-shek inviting Hergé to visit China itself. Hergé continued The Adventures of Tintin with The Broken Ear, while the series itself became a defining part of the Franco-Belgian comics tradition. In 1946, The Blue Lotus was partially re-drawn and coloured by the cartoonist and his team of assistants; during this process a number of minor plot elements were changed. The adventure introduces the recurring characters J.M. Dawson and Chang Chong-Chen. The story was adapted for a 1991 episode of the Ellipse/Nelvana animated series The Adventures of Tintin. Critical analysis of the story has been positive, with various commentators considering it to be one of Hergé's finest works. (Full article...)
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Titular inscription at the entrance to the "Yeren Cave" in Shennongjia
The yeren (Chinese: 野人, 'wild man') is a cryptid apeman reported to inhabit remote, mountainous regions of China, most famously in the Shennongjia Forestry District in the Hubei Province. Sightings of "hairy men" have remained constant since the Warring States Period circa 340 BC through the Tang dynasty (618–907 AD), before solidifying into the modern legend of the yeren. Generally, they are described as savage, strong, and fast-moving, living in mountain caves and descending only to raid villages in search of food or women.
Scientific interest in such apemen erupted in the 1950s and 1960s in conjunction with pseudoscientific discoveries relating to Bigfoot and the yeti, but pressure by the Maoist government to leave behind these kinds of legends and folk stories repressed further interest in the yeren until its dissolution in 1976. Afterwards, large expeditions were launched by the Chinese Academy of Sciences to investigate alleged eyewitness accounts, footprints, hairs, and bodies as "yeren fever" took hold, with scientists working with an unprecedented reliance on citizen science. The yeren was often speculated to be a far removed human relative, such as Gigantopithecus or Paranthropus robustus. All forwarded evidence of the creature originated from known animals — namely bears, monkeys, and gibbons — and scientific interest waned by the late 1980s. Nonetheless, organized yeren research still persists, though no serious scientific institutions recognize such apemen. (Full article...)
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The Killer (Chinese: 喋血雙雄) is a 1989 Hong Kong action film directed and written by John Woo and produced by Tsui Hark. The film stars Chow Yun-fat, Danny Lee and Sally Yeh. Chow plays Ah Jong, a professional assassin for the Triads who wants to retire, but accidentally damages the eyes of singer Jennie (Yeh) during a shootout and sets out to perform one last hit to pay for her treatment.
After the financial backing from Hark became problematic following the release of Woo's film A Better Tomorrow 2, Woo had to find backing through Chow Yun-fat's and Danny Lee's financing companies. Woo went into filming The Killer with a rough draft whose plot was influenced by the films Le Samouraï, Mean Streets and Narazumono. Woo wanted to make a film about honour, friendship and the relationship of two seemingly opposite people. After finishing filming, Woo referred to The Killer as a tribute to directors Jean-Pierre Melville and Martin Scorsese. (Full article...)
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The Dening Hall (Chinese: 德宁殿; pinyin: Déníng Diàn) of the Beiyue Temple
Map of the expansion of the Han dynasty in 2nd century BC
The southward expansion of the Han dynasty was a series of Chinese military campaigns and expeditions in what is now modern Southern China and Northern Vietnam. Military expansion to the south began under the previous Qin dynasty and continued during the Han era. Campaigns were dispatched to conquer the Yue tribes, leading to the annexation of Minyue by the Han in 135 BC and 111 BC, Nanyue in 111 BC, and Dian in 109 BC.
Han Chinese culture took root into the newly conquered territories and the Baiyue and Dian tribes were eventually assimilated or displaced by the Han Empire. Evidence of Han dynasty influences are apparent in artifacts excavated in the Baiyue tombs of modern southern China. This sphere of influence eventually extended to various ancient Southeast Asian kingdoms, where contact led to the spread of Han Chinese culture, trade and political diplomacy. The increased demand for Chinese silk also led to the establishment of the Silk Road connecting Europe, the Near East, and China. (Full article...)
The following are images from various China-related articles on Wikipedia.
Image 1Photo showing serving chopsticks (gongkuai) on the far right, personal chopsticks (putongkuai) in the middle, and a spoon. Serving chopsticks are usually more ornate than the personal ones. (from Chinese culture)
Image 10Gilin with the head and scaly body of a dragon, tail of a lion and cloven hoofs like a deer. Its body enveloped in sacred flames. Detail from Entrance of General Zu Dashou Tomb (Ming Tomb). (from Chinese culture)
Image 42Red lanterns are hung from the trees during the Chinese New Year celebrations in Ditan Park (Temple of Earth) in Beijing. (from Chinese culture)
Image 47Map showing the expansion of Han dynasty in the 2nd century BC (from History of China)
Image 48Relief of a fenghuang in Fuxi Temple (Tianshui). They are mythological birds of East Asia that reign over all other birds. (from Chinese culture)
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The President of the Republic of China is the head of state of the Republic of China (ROC).
The Constitution names the president as head of state and commander-in-chief of the Republic of China Armed Forces (formerly known as the National Revolutionary Army). The president is responsible for conducting foreign relations, such as concluding treaties, declaring war, and making peace. The president must promulgate all laws and has no right to veto. Other powers of the president include granting amnesty, pardon or clemency, declaring martial law, and conferring honors and decorations.
The current President is Lai Ching-te(pictured), since May 20, 2024. Lai is a Taiwanese politician and former physician, who is currently serving as the eighth president of the Republic of China under the 1947 Constitution and the third president from the Democratic Progressive Party (DPP).
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